ptabExcerpt from Seventh Chords Derryl GabelChordal Mysteries Revealed Derryl Gabel Derryl GabelGabelvision Productions ASCAP’ SEVENTH CHORDS The major seventh chord is built off the 1st, 3rd, 5th, and 7th degree of the major scale. Measures 1 - 3 is the CM7 chord on diffrent sets of strings. Measures 4 - 7 shows the diffrent inversions. The root form has C in the bass which is the root The first inversion has E in the bass which is the major 3rd The second inversion has G in the bass which is the perfect 5th The third inversion has B in the bass which is the major 7th. By droping the second voicing we can gain more practicle chord forms that are easier to play. So you would go from CEGB to GCEB. Measures 7 - 11 are the drop 2 chord voicings on the middle set of strings. CGBE = 1573 EBCG = 3715 GCEB = 5137 BEGC = 7351 ’’CGuitarUntitledh@;Standard@;72-(’’ CFloatingText Cmaj7#4/BÆ' < Times New Roman€ Cmaj7#4/Gū) Q> Times New Roman€Cmaj7#4‡) Ź> Times New Roman€ Cmaj7#4/F#4* ‘? Times New Roman’’ CGuitarIn’’CSection2 Ü€’’ CChordTextČ’’CStaff’’ CPosition’’ CLineData €@€b€ƒ€ €D€e€‡€Ø€€€(€I€j’’ CMusicBar€!€€ €2ö §€ €Č € Č €Č €Č€€€ €@€b€ƒ€ €!€D€e€‡€€%€E€i€Š€€(€I€j€Ž!€€!€€!€€ €2Į {€ €Č € Č €Č €Č€€€%€D€e€ƒ€ €(€E€i€‡€€,€I€j€Š€€-€L€n€Ž!€€!€€!€€€Untitled!h@Bass+&!€ €2 }€€ Arial Times New RomanTimes New Roman